Many orchestras have spent the last two decades trying to reverse the stereotype of elitism—to open their doors wider, to be more reflective of the communities they serve. NEA funding has often helped make that possible. When that funding disappears, it doesn't just take away money—it chips away at progress, access, equity. It forces orchestras into a narrower definition of success, one driven by revenue rather than mission.

It's essential to know your legal rights, your protections, and how to take action when lines are crossed, whether you're a freelance artist, orchestral musician, conservatory student, or professor.

Questions arise about the motivations behind Kalmar's continued association with the Oregon Symphony: Is it rooted in loyalty or fear?