Gergiev and Netrebko are not being “canceled” for their Russian identity. They are being criticized for actively and repeatedly promoting an authoritarian state’s violence, lies, and territorial aggression. In the arts, platforming is power. A podium is not neutral ground—it is a place of influence, a place where narratives are validated, history is shaped, and moral legitimacy is either reinforced or revoked.

Why did ballet’s sexual exploitation become spectacle in the 19th century while orchestras cloaked theirs in velvet hush? Because the world tolerates violence against women when it comes with music and pearls. Because we only call it a scandal when it breaks the illusion. Ballet was a performance of femininity. So when the abuse happened, it was expected. Or worse, admired. Orchestras, on the other hand, carried the banner of refinement. So when the abuse happened, it was unt

Many orchestras have spent the last two decades trying to reverse the stereotype of elitism—to open their doors wider, to be more reflective of the communities they serve. NEA funding has often helped make that possible. When that funding disappears, it doesn't just take away money—it chips away at progress, access, equity. It forces orchestras into a narrower definition of success, one driven by revenue rather than mission.

It's essential to know your legal rights, your protections, and how to take action when lines are crossed, whether you're a freelance artist, orchestral musician, conservatory student, or professor.

Questions arise about the motivations behind Kalmar's continued association with the Oregon Symphony: Is it rooted in loyalty or fear?

"This isn’t just about one individual—it’s about dismantling a culture that allows abuse to persist in classical music institutions."