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From Powdered Wigs to Protests: Short Stories, Essays, and Memoirs Unmasking Symphony Orchestra Culture


Gergiev and Netrebko: Icons of a Weaponized Culture
Gergiev and Netrebko are not being “canceled” for their Russian identity. They are being criticized for actively and repeatedly promoting an authoritarian state’s violence, lies, and territorial aggression. In the arts, platforming is power. A podium is not neutral ground—it is a place of influence, a place where narratives are validated, history is shaped, and moral legitimacy is either reinforced or revoked.

Katie A. Berglof
Jul 21


From Podium to Propagandist: Gergiev’s Role in Putin’s Empire
For too long, Western institutions, particularly in the classical music world, have hidden behind the notion that “art is above politics.” But art is never above politics when it is used as a tool of nationalism, repression, or propaganda. Valery Gergiev has been a willing participant in that machinery.

Katie A. Berglof
Jun 24


Trump’s Kennedy Center Coup: A Symphony of Boos, Bureaucracy, and Bafflingly Bad Decisions
What began as a murmur of discontent towards Vice President J.D. Vance, swiftly crescendoed into a full-throated wall of Booing.

Katie A. Berglof
Mar 15


El Sistema’s Cultural Politics and What Orchestras Can Learn from It
El Sistema’s entanglement with political agendas has only deepened the erosion of its founding values. What began as a movement of hope...

Katie A. Berglof
Jan 5
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