

When Women Uphold Misogyny in Classical Music Culture
Most women don’t wake up one day and decide to defend abusers. It’s subtler than that. It starts with what we’re taught to value: Be nice. Be likable. Don’t cause trouble. Don't be that woman. Be grateful for opportunities. Protect your mentor’s reputation. Play the game. And it starts early—sometimes in music school, sometimes in church, sometimes around the dinner table. We learn, little by little, that proximity to male power offers protection.

Katie A. Berglof


Withdrawing Support from CMEC: Civility Without Accountability Isn’t Advocacy
I’ve watched the Coalition of Musicians for Ethical Change (CMEC) remain silent, deflect, and align with those protecting power over people. I once offered my support to CMEC. I can no longer do so in good conscience.

Katie A. Berglof


An Open Letter to Froydis Ree Wekre Followers and the Brass Community at Large
I’m in the trenches of social media this week engaging directly with influential figures in horn playing—on Facebook timelines and comment threads—where critical issues of discrimination, competition bias, and gender equity are often dismissed or distorted.

Katie A. Berglof


Beyond the Stage: The NEA Crisis and American Orchestras
Many orchestras have spent the last two decades trying to reverse the stereotype of elitism—to open their doors wider, to be more reflective of the communities they serve. NEA funding has often helped make that possible. When that funding disappears, it doesn't just take away money—it chips away at progress, access, equity. It forces orchestras into a narrower definition of success, one driven by revenue rather than mission.

Katie A. Berglof


Classical Musicians Guide to Knowing Your Rights!
It's essential to know your legal rights, your protections, and how to take action when lines are crossed, whether you're a freelance artist, orchestral musician, conservatory student, or professor.

Katie A. Berglof


Trump’s Kennedy Center Coup: A Symphony of Boos, Bureaucracy, and Bafflingly Bad Decisions
What began as a murmur of discontent towards Vice President J.D. Vance, swiftly crescendoed into a full-throated wall of Booing.

Katie A. Berglof


Loyalty or Fear? Kalmar's Return to The Oregon Symphony Reopens Old Wounds
Questions arise about the motivations behind Kalmar's continued association with the Oregon Symphony: Is it rooted in loyalty or fear?

Katie A. Berglof


Petitioning The Houston Symphony: A Call for Safety & Equal Opportunity in Orchestras
Is this the legacy that the Houston Symphony wishes to uphold? This letter is not just my voice—it echoes the disappointment...

Katie A. Berglof


Jonathan Carney’s Career Wasn’t Built on Merit—It Was Built on the BSO's Shielding of His Misconduct
Carney’s misconduct wasn’t an open secret—it was a documented fact. Artistic legacy means nothing if built on the backs of silenced victims.

Katie A. Berglof


Arts Administrators, It’s Time to Unionize: Here’s Why
While musicians frequently unionize, orchestra and arts administrators rarely do, though they should. It's inevitable. Here's why...

Katie A. Berglof


El Sistema’s Cultural Politics and What Orchestras Can Learn from It
El Sistema’s entanglement with political agendas has only deepened the erosion of its founding values. What began as a movement of hope...

Katie A. Berglof


Standing Up for Integrity in Classical Music — Why I Left the Seattle Symphony, Spoke Up About Alex Klein, and Supported the Calgary Philharmonic Orchestra Investigation
"This isn’t just about one individual—it’s about dismantling a culture that allows abuse to persist in classical music institutions."

Katie A. Berglof


You're Not a Dumpster Fire: Dealing with Catastrophic Thinking in Music
They’re the sneaky little thoughts that pop up when you flub an entrance and think, "Should I abandon music and open a taco truck instead?"

Katie A. Berglof


A Defense Fund for Musician Advocates & Victims of Harassment
The Courage Over Silence Defense Fund supports classical musicians—survivors, whistleblowers, & advocates facing harassment.

Katie A. Berglof


Wagner: Swiped Left on by Literally Everyone
Wagner’s ghost tweeted late last night. “One day, someone will appreciate me…maybe after they finish their avocado toast."

Katie A. Berglof


Classical Musician Financial Tips now Catchier than a Haydn Rondo in Duple Meter
Financial literacy is important to classical musicians. We're here to make it as fun as a flash mob playing Beethoven in a food court!

Katie A. Berglof


Orchestras on Tour: A Call for Accountability and Safer Practices in the Classical Music Industry
A testimony raises critical issues on accountability, safety, and the culture of orchestras, particularly during international tours.

Katie A. Berglof


Muted Voices: Unions Failing to Support Classical Musicians
Holding musicians' unions accountable for failing victims of sexual harassment or misconduct involves a combination of internal reforms...

Katie A. Berglof


The Hidden Curriculum: The Untold Story of Music Professors’ Babysitting & Personal Exploits
“Can I ask you a favor?” they begin. Before you know it, you’ve agreed to babysit their child while they attend a “very important” concert.

Katie A. Berglof


The Podium Posse: When Abusive Conductors Throw Shade (and Maybe a Music Stand) at the Orchestra
Let’s explore the terrain of conductor tantrums—where the line between artistic passion and outright abuse is as thin as a violin string.

Katie A. Berglof